Using a single object per single layer would be needed to get consistent results. “Motion tween” can only occur with symbols & “Shape tween” can only happen with “ungrouped” vector shapes. key drawing container (circle shape icon) vs.The classic tweens would only work from one drawing to the next (shown as an arrow), so the important drawings of a motion (“keys”) would need to be duplicated and modified to change the position of the drawing, but the new tweens would take a literal single “drawing” symbol and you would only need to create “diamond keyframes” to record the new position at a specific frame. In Adobe Animate, this is what was kind of done with the new motion tweening. Symbols are mainly meant to create an embedded canvas / timeline for complex animation requirements (e.g drawing substitutions like eyes, mouths, hands, etc to speed up workflow), however drawing objects are modifiable in the main timeline / canvas whereas symbols need to enter an editing mode to manipulate layers and frames. To put into into perspective using existing software, when I speak about “drawing groups” it would be a mix between Adobe Animate’s “symbols” and “Drawing Objects”. The only way to really do something like this would be to implement transforms tweening for layers, or even better for “drawing groups”.
What I’ll say next is just conceptually what I think could happen, but I don’t know if it’s possible technically. The thing is that changing the content of what the camera sees, constitutes as a different frame wherever you see. Well I understand what you mean and why would you ask something like this. The benefit of non-textured vector brushes is they are lightweight, scalable and easy to tweak, but have a more limited set of options compared to textured brushes.Hey, thanks for taking the time to send your comments as always. That said, there is a function to flatten vector drawings to bitmap images in Harmony. Because you are essentially working with a string of little bitmap images connected to bezier curves, if you were to make a background with thousands of overlapping textured vector strokes you may start running into performance issues. Textured vector brushes are useful for giving a hand drawn character to line art, while retaining the possibility to directly edit individual strokes in your drawings.
When you are dealing with a grid of pixels instead of curves, there should be little to no performance difference in rendering a bitmap layer made with hundreds of thousands of brush strokes compared to one made with just three. Generally, bitmap brushes are useful if you want to paint detailed backgrounds that you won’t be manipulating directly, especially if you like to hand paint gradients.
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